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Malerie Marder grew up in Rochester, NY and studied at Bard College completing a B.A. in History and Art. She received her M.F.A. from Yale University where she was awarded the Schickle-Collingwood Prize and The John Ferguson Weir Award. Her solo exhibitions include Leslie Tonkonow Artworks + Projects, Salon 94 and Greenberg Van Doren in New York; Blain|Southern, Maureen Paley, and The Photographer’s Gallery in London; Galerie Gabriel Rolt, Amsterdam. International group exhibitions include Everyday Epiphanies: Photography and Daily Life Since 1969, The Metropolitan Museum of Art, New York; Desire, Gagosian Gallery and Deitch Projects, The Moore Building, Art Basel, Miami; The Naked Face, National Gallery of Victoria,Melbourne; Shoot the Family, ICI, New York; Sight/Insight, Concoran Gallery of Art, Washington, D.C.; the 2004 California Biennial, Orange County Museum of Art; and Blackbox, Edinburgh College of Art in collaboration with the Edinburgh Film Festival. Her work is in the permanent collections of The Metropolitan Museum of Art and the Solomon R. Guggenheim Museum in New York, the National Gallery of Art, the American University Museum and the Concoran Gallery of Art in Washington, DC, the National Gallery of Victoria, Melbourne, The Seattle Art Museum, and the Hessel Museum of Art at Bard College, amongst others. She is represented by Leslie Tonkonow Artworks + Projects, New York.

Jen Huh is a Los Angeles based artist, designer, educator, and writer. Her large scale textile pieces have been featured in Interior Design magazine and are on permanent display in the Martin Art Gallery at Muhlenberg College in Allentown, PA. She formerly served as Director of First Year Advising at Parsons School of Design and Eugene Lang College at The New School (NYC). Jen is a partner at Dan Golden Studio and Director at Curator.site.

Matthew Brandt (b. 1982, Los Angeles) received his BFA from Cooper Union in 2004 and MFA from the University of California Los Angeles (UCLA) in 2008. Interested in physicality, process and landscape, Brandt’s ability to stretch the readings of an image, multiplying them both physically and conceptually, speaks directly to his interest in how images loom and meanings shift within a shared visual history. His work is the clever manifestation of a photographic alchemist, satisfying the urge for the tangible, and grounding us in the present. Brandt’s precocious talent has landed him in the permanent collections of the Los Angeles County Museum of Art (LACMA), the Armand Hammer Museum (Los Angeles) and the Elton John Collection. He currently lives and works in Los Angeles.

Graphic Designer + Art Director